Film Genres

http://www.filmsite.org/genres.html

Main Film Genres Iconic symbols represent the different genres of films	Descriptions of Main Film Genres
Action Films After Hostage situation at the 1972 Munich Olympics, terrorist situations viewed on National TV gave rise to Black Sunday a movie about terror at the SuperBowl.	Action films usually include high energy, big-budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires, etc.), non-stop motion, spectacular rhythm and pacing, and adventurous, often two-dimensional 'good-guy' heroes (or recently, heroines) battling 'bad guys' - all designed for pure audience escapism. Includes the James Bond 'fantasy' spy/espionage series, martial arts films, and so-called 'blaxploitation' films.
Adventure Films	Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre. They can include traditional swashbucklers, serialized films, and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle" and "desert" epics, treasure hunts, disaster films, or searches for the unknown.
Comedy Films	Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters. This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy), and more. See this site's Funniest Film Moments and Scenes collection - illustrated.
Crime & Gangster Films	Crime (gangster) films are developed around the sinister actions of criminals or mobsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life.
Drama Films	The oldest genre. Dramas are serious, plot-driven presentations, portraying realistic characters, settings, life situations, and stories involving intense character development and interaction. Usually, they are not focused on special-effects, comedy, or action, Dramatic films are probably the largest film genre, with many subsets.
Epics/Historical Films	Epics include costume dramas, historical dramas, war films, medieval romps, or 'period pictures' that often cover a large expanse of time set against a vast, panoramic backdrop. Epics often share elements of the elaborate adventure films genre. Epics take an historical or imagined event, mythic, legendary, or heroic figure, and add an extravagant setting and lavish costumes, accompanied by grandeur and spectacle, dramatic scope, high production values, and a sweeping musical score. Epics are often a more spectacular, lavish version of a biopic film. Some 'sword and sandal' films (Biblical epics or films occuring during antiquity) qualify as a sub-genre.
Horror Films	Horror films are designed to frighten and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror films feature a wide range of styles, from the earliest silent Nosferatu classic, to today's CGI monsters and deranged humans.  There are many sub-genres of horror: slasher, teen terror, serial killers, satanic, Dracula, Frankenstein, etc. See this site's Scariest Film Moments and Scenes collection - illustrated.
Musicals (Dance) Films   Operas ar all sung with no dialogue	Musical/dance films are cinematic forms that emphasize full-scale scores or song and dance routines in a significant way (usually with a musical or dance performance integrated as part of the film narrative), or they are films that are centered on combinations of music, dance, song or choreography. Major subgenres include the musical comedy or the concert film. See this site's Greatest Musical Song/Dance Movie Moments and Scenes collection - illustrated.
Science Fiction Films	Sci-fi films are often quasi-scientific, visionary (predictive base)and imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters ('things or creatures from space'), either created by mad scientists or by nuclear havoc. They are sometimes an offshoot of fantasy films, or they share some similarities with action/adventure films. Science fiction often expresses the potential of technology to destroy humankind and easily overlaps with horror films, particularly when technology or alien life forms become malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.
War (Anti-War) Films	War films acknowledge the horror and heartbreak of war, letting the actual combat fighting (against nations or humankind) on land, sea, or in the air provide the primary plot or background for the action of the film. War films are often paired with other genres, such as action, adventure, drama, romance, comedy (black), suspense, and even epics and westerns, and they often take a denunciatory approach toward warfare. They may include POW tales, stories of military operations, and training.
Westerns	Westerns are the major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring genres with very recognizable plots, elements, and characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.). Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed.

Main Film Sub-Genres Iconic symbols represent the different sub-genres or types of films	Descriptions of Main Film Sub-Genres
Biographical Films (or "Biopics")	'Biopics' is a term derived from the combination of the words "biography" and "pictures." They are a sub-genre of the larger drama and epic film genres, and although they reached a hey-day of popularity in the 1930s, they are still prominent to this day. These films depict the life of an important historical personage (or group) from the past or present era. Biopics cross many genre types, since these films might showcase a western outlaw, a criminal, a musical composer, a religious figure, a war-time hero, an entertainer, an artist, an inventor or doctor, a politician or President, or an adventurer.
'Chick' Flicks	Often considered an all-encompassing sub-genre, 'chick' flicks or gal films (slightly derisive terms) mostly include formulated romantic comedies (with mis-matched lovers or female relationships), tearjerkers and gal-pal films, movies about family crises and emotional carthasis, some traditional 'weepies' and fantasy-action adventures, sometimes with foul-mouthed and empowered females, and female bonding situations involving families, mothers, daughters, children, women, and women's issues. These films are often told from the female P-O-V, and star a female protagonist or heroine. This type of film became very prominent in the mid-80s and into the 90s. See also O Magazine's 50 Greatest Chick Flicks. Their counterpart films for males are termed 'guy' films (see below). See also this site's compilation of Greatest Tearjerker Films, Moments and Scenes.
Detective & Mystery Films	Detective-mystery films are usually considered a sub-type or sub-genre of crime/gangster films (or film noir), or suspense or thriller films that focus on the unsolved crime (usually the murder or disappearance of one or more of the characters, or a theft), and on the central character - the hard-boiled detective-hero, as he/she meets various adventures and challenges in the cold and methodical pursuit of the criminal or the solution to the crime.
Disaster Films	Disaster films, a sub-genre of action films, hit their peak in the decade of the 1970s. Big-budget disaster films provided all-star casts and interlocking, Grand Hotel-type stories, with suspenseful action and impending crises (man-made or natural) in locales such as aboard imperiled airliners, trains, dirigibles, sinking or wrecked ocean-liners, or in towering burning skyscrapers, crowded stadiums or earthquake zones. Often noted for their visual and special effects, but not their acting performances. See Greatest Disaster Film Scenes also.
Fantasy Films	Fantasy films, usually considered a sub-genre, are most likely to overlap with the film genres of science fiction and horror, although they are distinct. Fantasies take the audience to netherworld places (or another dimension) where events are unlikely to occur in real life - they transcend the bounds of human possibility and physical laws. They often have an element of magic, myth, wonder, and the extraordinary. They may appeal to both children and adults, depending upon the particular film.
Film Noir	Film noir (meaning 'black film') is a distinct branch of the crime/gangster sagas from the 1930s. Strictly speaking, film noir is not a genre, but rather the mood, style or tone of various American films that evolved in the 1940s, and lasted in a classic period until about 1960. However, film noir has not been exclusively confined to this era, and has re-occurred in cyclical form in other years in various neo-noirs. Noirs are usually black and white films with primary moods of melancholy, alienation, bleakness, disillusionment, disenchantment, pessimism, ambiguity, moral corruption, evil, guilt and paranoia. And they often feature a cynical, loner hero (anti-hero) and femme fatale, in a seedy big city.
Guy Films	Composed of macho films that are often packed with sophomoric humor, action, cartoon violence, competition, mean-spirited putdowns and gratuitous nudity and sex. This category of film is highly subject to opinion, although there are many classic, testosterone-laden 'guy' films that most viewers would agree upon, as demonstrated in the 1998 survey of the "100 Greatest Guy Movies Ever Made" by Maxim Magazine or Men's Journal's 50 Best Guy Movies of All Time list compiled in 2003. Gal films or 'chick' flicks are their counterpart for females.
Melodrama Films	Melodramas are a sub-type of drama films, characterized by a plot to appeal to the emotions of the audience. Often, film studies criticism used the term 'melodrama' pejoratively to connote an unrealistic, pathos-filled tales of romance or domestic situations with stereotypical characters that would directly appeal to feminine audiences ("weepies" or "woman's films"). See the post-modern version of the "woman's film" - gal films or 'chick' flicks. See also this site's extensive compilation (illustrated) of Greatest Tearjerker Films, Moments and Scenes.
Road Films	Road films have been a staple of American films from the very start, and have ranged in genres from westerns, comedies, gangster/crime films, dramas, and action-adventure films. One thing they all have in common: an episodic journey on the open road (or undiscovered trail), to search for escape or to engage in a quest for some kind of goal -- either a distinct destination, or the attainment of love, freedom, mobility, redemption, the finding or rediscovering of onself, or coming-of-age (psychologically or spiritually).
Romance Films	A sub-genre for the most part, this category shares some features with romantic dramas, romantic comedies, and sexual/erotic films. These are love stories, or affairs of the heart that center on passion, emotion, and the romantic, affectionate involvement of the main characters (usually a leading man and lady), and the journey that their love takes through courtship or marriage. Romance films make the love story the main plot focus. See Greatest and Most Memorable Film Kisses Scenes.
Sports Films	Films that have a sports setting (football or baseball stadium, arena, or the Olympics, etc.), event (the 'big game,' 'fight,' 'race,' or 'competition'), and/or athlete (boxer, racer, surfer, etc.) that are central and predominant in the story. Sports films may be fictional or non-fictional; and they are a hybrid sub-genre category, although they are often dramas or comedy films, and occasionally documentaries or biopics.
Supernatural Films	Supernatural films, a sub-genre category, may be combined with other genres, including comedy, sci-fi, fantasy or horror. They have themes including gods or goddesses, ghosts, apparitions, spirits, miracles, and other similar ideas or depictions of extraordinary phenomena. Interestingly however, until recently, supernatural films were usually presented in a comical, whimsical, or a romantic fashion, and were not designed to frighten the audience. There are also many hybrids that have combinations of fear, fantasy, horror, romance, and comedy.
Thriller-Suspense Films	Thrillers are often hybrids with other genres - there are action-thrillers, crime-caper thrillers, western-thrillers, film-noir thrillers, even romantic comedy-thrillers. Another closely-related genre is the horror film genre. Thriller and suspense films are virtually synonymous and interchangeable categorizations. They are types of films known to promote intense excitement, suspense, a high level of anticipation, ultra-heightened expectation, uncertainty, anxiety, and nerve-wracking tension. The acclaimed Master of Suspense is Alfred Hitchcock. Spy films may be considered a type of thriller/suspense film.

Non-Genre Film Categories Iconic symbols represent the different types of films	Descriptions of Non-Genre Film Categories
Animated Films	Animations are not a strictly-defined genre category, but rather a film technique, although they often contain genre-like elements. This section presents an historical overview of these kinds of films, noted for frame-by-frame creation. Also includes claymation (use of clay objects), anime (a style of animation with its roots in Japanese comic books, usually adult-oriented sci-fi and fantasy) or CGI (computer-generated animation). Animated films are often considered kids or family-oriented films, although they may be enjoyed by all ages. See also Film Milestones in Visual and Special Effects.
British (UK Films)	A short section designed as a tribute to various memorable British (UK Films) with a link to the 100 Favorite British Films of the 20th Century.
Childrens - Kids - Family-Oriented Films	These are non-offensive, wholesome, and entertaining films (usually rated G for 'suitable for general audiences') that do not include topics or scenes with violence, foul language and other profanity, religious issues, gratuitous sexuality and so on, and are specifically designed for children 12 and under (or for family viewing). Children's and family-oriented films may actually be suitable for all age groups, and cover a wide range of genre categories (comedy, adventure, fantasy, musicals, etc.). Classic films from Hollywood's 'Golden Era' may be very appropriate for this type of film audience. See a listing of 100 Recommended Children's Movies.
Classic Films	This 'classic films' category, not a film genre, identifies many films from Hollywood's distinguished Golden Era and other 'classics' that have held up over time.
Cult Films	Not a specific genre in itself, since cult films can be science fiction, horror, etc. Cult films have limited but special appeal, and are usually strange, quirky, offbeat, eccentric, oddball, or surreal, with outrageous and cartoony characters or plots, garish sets - and often considered controversial. Includes various camp films, B-movies (low-budget, with little-known actors and rough scripts), or other trashy or sleazy selections. Also included in this section is the listing of Entertainment Weekly's choices for Top 50 Cult Movies.
Documentary Films	Strictly speaking, documentary films are non-fictional, factual works of art. Originally, the earliest documentaries were either short newsreels, instructional pictures, or travelogues (termed actualities) without any creative story-telling or staging. But they have branched out and taken many forms, and have sometimes become propagandistic and non-objective. Mockumentaries are comedic parodies of documentaries. Some documentaries have been considered propagandistic.
Serial Films	One of the earliest forms of film that originated during the silent era and lasted to the 1950s, often episodic in form, that were shown over a period of weeks or years. Included attractive heroines, action heroes, comic-book characters, western figures, and villains in melodramatic sequences that often ended with a cliffhanger.
Silent Films	Films that have no synchronized soundtrack and no spoken dialogue, until the dawn of the talkies in the late 1920s. Films without dialogue featured titles for dialogue segments, and often were accompanied by live music. For additional information on the silent era, see Film History sections: the Pre-20s and the Decade of the 1920s.

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