The Color Purple                                                                               Alice Walker

Novel by Alice Walker, published in 1982. It won a Pulitzer Prize in 1983. A feminist novel about an abused and uneducated black woman's struggle for empowerment, the novel was praised for the depth of its female characters and for its eloquent use of black English vernacular. The Color Purple is one of the strongest statements of how love transforms and cruelty disfigures the human spirit that this reviewer has ever read. Alice Walker gives us Celie, 14 years old when the book opens, who has been raped, abused, degraded and twice impregnated by her father. After he takes her children away from her without a so much as a word, he marries her off like a piece of chattel to her husband, who is so cold, distant and inhuman to her that she can only refer to him as Mr; and this person deprives her of her sister Nettie, the only one who ever loved her. AR 4.0 PLEASE NOTE THAT THIS BOOK CONTAINS SOME MATURE CONTENT.

I Know Why the Caged Bird Sings                                            Maya Angelou

In this first of five volumes of autobiography, poet Maya Angelou recounts a youth filled with disappointment, frustration, tragedy, and finally hard-won independence. Sent at a young age to live with her grandmother in Arkansas, Angelou learned a great deal from this exceptional woman and the tightly knit black community there. These very lessons carried her throughout the hardships she endured later in life, including a tragic occurrence while visiting her mother in St. Louis and her formative years spent in California--where an unwanted pregnancy changed her life forever. Marvelously told, with Angelou's "gift for language and observation," this "remarkable autobiography by an equally remarkable black woman from Arkansas captures, indelibly, a world of which most Americans are shamefully ignorant." AR 6.7

The Color of Water                                                                          James McBride

McBride, an accomplished journalist and musician, has viewed the yawning chasm of racial division from both sides and, despite carving out a successful life, has been scarred.  The Color of Water tells the remarkable story of Ruth McBride Jordan, the two good men she married, and the 12 good children she raised. Jordan, born Rachel Shilsky, a Polish Jew, immigrated to America soon after birth; as an adult she moved to New York City, leaving her family and faith behind in Virginia. Jordan met and married a black man, making her isolation even more profound. The book is a success story, a testament to one woman's true heart, solid values, and indomitable will. Ruth Jordan battled not only racism but also poverty to raise her children and, despite being sorely tested, never wavered. In telling her story--along with her son's--The Color of Water addresses racial identity with compassion, insight, and realism. It is, in a word, inspiring, and you will finish it with unalloyed admiration for a flawed but remarkable individual. And, perhaps, a little more faith in us all. AR 6.1

Their Eyes Were Watching God                                         Zora Neale Hurston

At the height of the Harlem Renaissance during the 1930s, Zora Neale Hurston was the preeminent black woman writer in the United States. She was a sometime-collaborator with Langston Hughes and a fierce rival of Richard Wright. Her stories appeared in major magazines, she consulted on Hollywood screenplays, and she penned four novels, an autobiography, countless essays, and two books on black mythology. Yet by the late 1950s, Hurston was living in obscurity, working as a maid in a Florida hotel. She died in 1960 in a Welfare home, was buried in an unmarked grave, and quickly faded from literary consciousness until 1975 when Alice Walker almost single-handedly revived interest in her work. Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either. It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.

One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf." Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices.  AR 5.6

How the Garcia Girls Lost Their Accent                               Julia Alvarez

This sensitive story of four sisters who must adjust to life in America after having to flee from the Dominican Republic is told through a series of episodes beginning in adulthood, when their lives have been shaped by U. S. mores, and moving backwards to their wealthy childhood on the island. Adapting to American life is difficult and causes embarrassment when friends meet their parents, anger as they are bullied and called "spics," and identity confusion following summer trips to the family compound in the Dominican Republic. These interconnected vignettes of family life, resilience, and love are skillfully intertwined and offer young adults a perspective on immigration and families as well as a look at America through Hispanic eyes. This unique coming-of-age tale is a feast of stories that will enchant and captivate readers. AR 6.2 PLEASE NOTE THAT THIS BOOK CONTAINS SOME MATURE CONTENT.

The House on Mango Street                                                   Sandra Cisneros

Esperanza Cordero, a girl coming of age in the Hispanic quarter of Chicago, uses poems and stories to express thoughts and emotions about her oppressive environment. Esperanza and her family didn't always live on Mango Street. Right off she says she can't remember all the houses they've lived in but "the house on Mango Street is ours and we don't have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise, and there isn't a landlord banging on the ceiling with a broom. But even so, it's not the house we thought we'd get." Esperanza's childhood life in a Spanish-speaking area of Chicago is described in a series of spare, poignant, and powerful vignettes. Each story centers on a detail of her childhood: a greasy cold rice sandwich, a pregnant friend, a mean boy, how the clouds looked one time, something she heard a drunk say, her fear of nuns: "I always cry when nuns yell at me, even if they're not yelling." Esperanza's friends, family, and neighbors wander in and out of her stories; through them all Esperanza sees, learns, loves, and dreams of the house she will someday have, her own house, not on Mango Street. AR 4.5

Wuthering Heights                                                                         Emily Brontë

Perhaps the most haunting and tragic love story ever written, Wuthering Heights is the tale of Heathcliff, a brooding, troubled orphan, and his doomed love for Catherine Earnshaw. His desire for her leads him to madness, however, when Catherine is made to marry a wealthy lord, sending Heathcliff on a life-long quest to avenge himself upon those who stole his only love and his life. In this gripping chronicle of the never-ending conflict between the heart and the mind -- and the pain and passion of true romance -- Emily Brontë created an unforgettable classic saga of love, desperation, vengeance, and forgiveness. Published just one year before Brontë 's death in 1848 at the age of thirty, Wuthering Heights endures as one of the world's greatest love stories and a classic of English literature. AR 11.3

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Riverside School District, Taylor PA
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